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We all went to the CIA, which happens every season…we meet in an incredible…building in Georgetown and all these incredible people come and speak to us about every issue that they’re dealing with. Here is one director’s account of the type of research conducted by her and her colleagues: My second viewing also revealed the utter superficiality of the thrill-ride. Lose that, and the whole soufflé collapses into a soggy pudding.
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But I soon realized that this series is held aloft entirely by suspense. My friend, who had never seen the show before, was enthralled. Recently a friend who had lately discovered Homeland invited me to watch a couple of old episodes. A good test is whether a series is worth watching more than once.
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Spy love affair-these ingredients, deftly mixed against a flashy, up-to-date backdrop of turmoil in the Middle East, keep viewers hooked.īut while some TV series rise to the level of art, some do not. Carrie’s freaky mood swings, the murky schemes and fiery skirmishes of terrorists and counter-terrorists, the Spy vs. So her feelings are even more mixed than ours. Carrie gradually uncovers this backstory while falling in love. These details make us more sympathetic toward Brody, but also more suspicious of him. Through flashbacks, we see Brody growing fond of Issa, only to witness his death in an American drone attack. Over time, we learn that Brody is a secret convert to Islam and that he spent part of his captivity tutoring Issa, the young son of his captor. In the pilot episode Brody is released, welcomed home as a war hero, and vetted for signs of having been “turned.” Carrie’s CIA and military colleagues are persuaded of his loyalty, but she is not. Marine held captive for eight years by al-Qaeda in Iraq (AQI). During the first three seasons, the two storylines were strongly connected through Carrie’s convoluted romance with Nicholas Brody (Damian Lewis), a U.S. That auspicious timing helped make Homeland a hit. Back then, on the tenth anniversary of 9/11, America’s efforts at counter-terrorism did not seem entirely in vain: Navy Seals had taken out Osama bin Laden President Obama was downsizing the “global war on terror” to a mere “war with Al-Qaeda” and the troops were coming home from Iraq. The thrill-ride part is less predictable, because the conflict it tracks has gotten bloodier, costlier, and more politically divisive than many Americans expected four years ago, when Homeland made its debut.
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The second is a heart-stopping thrill-ride through the latest developments in America’s war with such bloodthirsty jihadist movements as al-Qaeda, the Taliban, and now ISIS.Īt the time of this writing, Carrie’s psychodrama is following the same trajectory as in previous seasons: desperate to solve a looming terrorist conspiracy, she is letting herself fly high in her manic phase, knowing full well that the solution will come to her in a brilliant stroke just as her mood peaks and she plunges back into depression. The first is the psychodrama of the main character, Carrie Mathison (Claire Danes), a CIA agent lately discharged, who suffers from bipolar disorder and a chronic inability to sustain ordinary emotional ties. Now in its fifth season on the Showtime cable channel, Homeland is straining hard to connect two disparate storylines. But that raises a question: what do these two series reveal about the kishkes of 21st-century Americans and Israelis? Though a critic of the Israeli show, Moran Sharir of the newspaper Haaretz admitted that the program had a powerful impact: using the Yiddish word for guts, he wrote that Prisoners of War “talks to the audience’s kishkes.” The same could be said for Homeland. He must be an adaptable sort, because although these two programs are alike in blurring the line between entertainment and real life, there is a world of difference between how they do it, and why.
Today Raff is one of nine executive producers of Homeland and is said to be planning a third season of Prisoners of War. The Hebrew title of that series is Hatufim, meaning “Abductees.” Called Prisoners of War in English, the show lasted only two seasons, and while it is not well known in the United States, quite a few Americans know that Gideon Raff, the creator of Prisoners of War, also helped to create our own popular TV series Homeland. The following year, a smaller controversy arose in Israel over a popular TV series that, according to critics, blurred the line between entertainment and real life by dramatizing a similar event. His release, in exchange for over 1,000 Palestinian and other Arab prisoners, was the result of a prolonged negotiation that was highly controversial on both sides. N October 2011, an Israeli soldier named Gilad Schalit returned home after five years of captivity at the hands of Hamas.
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